Court blocks shipment of priceless objects

Salaams and secular greetings from Dhaka. If you recall I blogged about a major Paris based exhibition on Bangladesh called “Shonar Bangla.” One aspect of the programme was a major exposition of films and documentaries about Bd. Another part of it was to display, for the first time outside Bangladesh, recently unearthed and priceless archaeological objects….I say “was” because, ooh la la, the organisers have hit a snag. Various Bangladeshi cultural activists and intellectuals were alerted to the lack of process and procedure in the shipment of these objects, lack of accountability, and deficiency in the sums insured. They took the matter to court and there is now a 2 month stay order on these objects (scheduled to be shown in Paris in less than a month)! Mon dieu indeed! The presitigious Guimet is in a bit of a pickle, and I suspect the local French ambassador here in Dhaka is busy twisting arms.
I must say I was a bit peeved when I asked the Museum to check the versions of two documentaries I have been involved in and to make sure they show the latest versions. It has taken 4 months, and I still have no answer! Rather insultingly, but in a sweet french way of course, they informed me I would not have to pay to attend the shows…. If that is how small issues are handled…then, sacre bleu, how are they managing the biggers ones? And from our point of view, i am glad that we are not simply surrendering precious artefacts without any kind of process. Perhaps some of this concern will rub off and be of assistance to those desperately trying to save our heritage sites.
Here is their blurb about the stuff ( which I reproduce in full from http://www.museeguimet.fr/Masterpieces-of-Gange-delta ) :
Bangladesh possesses an immensely important cultural heritage, this arising from the fact that the eastern half of Bengal has been one of the cultural richest regions of the Indian world; a vision far from the catastrophic one that the western world often tends to favour.
The region is associated with the art of the Pala and Sena dynasties (8th – 13th century). Archaeological study has however revealed vestiges that are more ancient like the Mahasthan site which stands on what used to be Pundravardhana, and goes back to the Maurya and Sunga periods (3rd – 1st century BC). It has also revealed vestiges from the Gupta period (4th – 6th century). Pundravardhana-Mahasthan is, to this day, the oldest Indian city known to be in the east. But Bangladesh also harbours the oldest Buddhist monastery of the Indian world, Paharpur, which has now been listed on the UNESCO’s list of protected monuments. Sculptures of a impressive dimension have been recently unearthed: a bronze Buddha measuring 1,3 metres in Paharpur in 1982, a Gupta Buddha (from Sarnath) sculpted on both sides at Mahasthan in 1992, a bronze Vajrasattva, 1,40 metres in height, at Mainamati in 1995, and finally an Avalokitesvara found on the same site of the same material and size. These pieces have rarely been published and will be leaving Bangladesh for the first time for the exhibition. To this one must add the fact that Bangladesh has a Muslim majority as compared to the Indian west Bengal, and consequently the Islamic heritage is original and of special interest.
The objective of this exhibition is to show for the first time outside of Bangladesh, the unbelievably rich and complex heritage of this country. Benefiting from recent archaeological research helps us to show works from the Maurya period and go on until the 19th century. And thus we will retrace history whilst emphasising on a certain number of major sites. As a matter of fact, one of the characteristics of this heritage is that a lot of the pieces are well documented and enable us to situate the same in their precise historical and artistic context. The four great religions, Buddhism, Hinduism, Jainism and Islam that determine the history of Bangladesh will be duly represented.
The lenders are all government institutions:
The Bangladesh National Museum at Dhaka, under the Ministry of Culture
The site museums under the directorate of Archaeology and thus the Ministry of Culture.
Mahasthan Archaeological Museum
Mainamati Archaeological Museum
Paharpur Archaeological Museum
The Varendra Research Museum at Rajshahi, under the University of Rajshahi and thus depending on the Ministry of National Education, it is the oldest museum in Bangladesh.
6 Responses for "French Disconnection in Bangladesh"
Various Bangladeshi cultural activists and intellectuals were alerted to the lack of process and procedure in the shipment of these objects, lack of accountability, and deficiency in the sums insured. They took the matter to court and there is now a 2 month stay order on these objects (scheduled to be shown in Paris in less than a month)!
Can you please highlight what were the irregularities?
Asif, seems there a lot of hot heads jumping up and down on this issue. And a lot of suspect characters on both sides. It seems a bloody awful shame if these things cant be shown in Paris.
There have been press conferences held by both sides, and it seems you and I have mates on both sides of this thing.
Read this thing for a bit of the flavour
http://www.newagebd.com/2007/sep/07/sep07/xtra_cover.html
” ‘Our primary concern is the security of such a large entourage,’ says M A Kamal Yuree, the coordinator of Jatiya Pratnasampad Raksha Parishad. ‘France is the capital of arts and in case these artefacts are copied over there and we are sent back the replicas, we will never be able to tell the difference.’
…
‘Our government should not allow this to happen,’ he adds. ‘Would the French ever allow the Mona Lisa outside the country?’ he asks.
”
Is this the best Yuree Shaheb could do? You got to be kidding me! Even you got bought into this? How many countries Mona Lisa travelled? Someone who does not have that much knowledge on how exhibition agreement work between different museums is our head honcho in a so called national committee?
read this piece by bonbibi
http://www.drishtipat.org/blog/2007/10/01/museum-statues-denied-travel/
Indeed, this is one of those cringing moments that she describes. What a waste of an opportunity!
That Yuri is clearly a nut. I never bought into his fanciful ideas as several people here will testify! And my response to you above. But process…I am all for!
For my comments, go to
http://www.drishtipat.org/blog/2007/10/01/museum.-statues-denied-travel/
[…] Ah yes the bumbling and incompetent Inspector Clouseau must have been in charge of the precious bits and pieces at Zia Airport the other day when the nation’s heritage was under the care of Air France. Two priceless pieces have gone walkies. And the rest have been returned to the national museum as the powers that be finally resolved to not send the stuff to the Guimet in Paris. As I said in an earlier post, this whole thing at the Guimet lacked process even apparently the final decision to send them according to the New Nation. […]
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